During the filming of our very first snowboard movie, TRIBAL, we also traveled to Japan. At the time, I was still a senior photographer for Europe’s Onboard magazine. Therefor I always brought both my 16mm film and my analog still camera up on the hill—challenging at times, but always worth it.
The powder riding in those Japanese forests is simply magical. The sun rarely comes out, but here Beckna drops the anchor perfectly in this tiny sun patch.
One of my favorite powder-turn images I’ve ever shot.
Rider: Thomas ‘Beckna’ Eberharter
Location: Tenjindaira, Japan
Year: 1999
Analog Film
• Print is not framed
• Each print is numbered & signed by me
• Ships worldwide with currier
• Each print comes with a certificate of authenticity including a hologram sticker
• Each print will be registered on myartregistry.com
• The print is professionally handpackaged by an expert
During the filming of our very first snowboard movie, TRIBAL, we also traveled to Japan. At the time, I was still a senior photographer for Europe’s Onboard magazine. Therefor I always brought both my 16mm film and my analog still camera up on the hill—challenging at times, but always worth it.
The powder riding in those Japanese forests is simply magical. The sun rarely comes out, but here Beckna drops the anchor perfectly in this tiny sun patch.
One of my favorite powder-turn images I’ve ever shot.
Rider: Thomas ‘Beckna’ Eberharter
Location: Tenjindaira, Japan
Year: 1999
Analog Film
• Print is not framed
• Each print is numbered & signed by me
• Ships worldwide with currier
• Each print comes with a certificate of authenticity including a hologram sticker
• Each print will be registered on myartregistry.com
• The print is professionally handpackaged by an expert
